Mixer
Zoom F8n

Microphones
Sennheiser mkh 416 + Cinela Piano Windshield
2 x Neumann km 185
2x Sennheiser mkh 8040 + Rycote ORTF Windshield

Wireless
2 x Lectrosonics SRC Dual receivers
4 x Lectrosonics SSM Transmitters
1 x Lectrosonics HMA Plug-on
2 x DPA 4060
1x DPA 6060
1x DPA 6061

IFB/IEM
Sennheiser SK 500 G4 transmitter
3 x Sennheiser EK IEM G4 receivers
Headphones 1x Sennheiser HD25, 1 x Sony MDR 7506, 2 x Sony MDR ZX110

Timecode
1 x Atomos AtomX Ultrasync One

Boom poles
Vdb L QT
K-Tek-110 - Avalon

Sfx
2 x Aquarian H2a hydrophone
Lom Geofón

My personal work as an artist departs from a documentary approach in which sound is taken as a central point, both in the research and in the edit.

Doing field recording and production sound for my own picture led me to work for different visual artists and small productions busy with documentary, docu-fiction and video-art. As I continued to collaborate in these fields I also began working on fiction films.

As an artist I’ve been talking about issues in relation to orality, sound manifestations in public spaces or “sound” heritages in crisis – such as ditches and historical irrigation systems in rural areas in drought. This way of tackling sound as the center of my work situated me as a recordist with an interest towards a deep usage of sound possibilities in fiction and documentary.



* Photos above by Delia Márquez



* Photo by Nicola Baratto